Silent Night (2023)
Every year, there’s always some kind of an award for audio description. Not that it reaches mainstream audiences, but for a blind film critic like myself, I’m very aware. If the team at Deluxe and William Michael Redmond aren’t nominated, simply nominated, the actual award itself means nothing. It would be like trying to compete in an athletic event where the obvious choice has somehow been disqualified. It puts a bit of a damper on your win, because the tiger in the fight wasn’t, so you don’t actually know if the win you got was earned. There is zero question … Continue reading Silent Night (2023)