Greenland 2: Migration

The only truly good thing that came out of Greenland 2: Migration is the fact it prompted me to finally watch the first one, which was surprisingly much better than I expected. So, I went into the sequel with pretty high hopes, only for those hopes to get obliterated almost immediately. Greenland 2 feels like a sequel made by people who didn’t really understand why the first film worked, but assumed audiences wanted “more”, because Hollywood has confused bigger with better for so long you’d think they were in Texas. Everything is bigger in Texas, but not in California, and … Continue reading Greenland 2: Migration

Tom Clancy’s Jack Ryan: Ghost War

There’s a version of this review where I spend half the time complaining that Tom Clancy’s Jack Ryan: Ghost War isn’t trying to be Mission: Impossible, but honestly, that says more about modern criticism than it does about the film itself. This weekend features two films based on television shows, but the difference is one of them is making a giant leap to the big screen, while the other understands exactly what it is. Ghost War is not trying to reinvent espionage cinema, launch a billion dollar franchise reboot, or convince audiences that John Krasinski should be hanging off airplanes … Continue reading Tom Clancy’s Jack Ryan: Ghost War

Marty: Life Is Short

Normally, I have to weigh these celebrity centric documentaries, these career retrospectives, as how truthful, honest, open, or journalistic in nature they are.But also, sometimes, it is just OK to like something. Sometimes, the project itself almost erases the extra checkboxes it doesn’t check, because it accomplishes something else. What Lawrence Kasdan (The Big Chill) has achieved here is the understanding that his good friend, Martin Short, is possibly the most well respected and liked person in Hollywood.This film is absolutely a simple, lovely, career retrospective for MArtin Short, and very much content creation for Netflix, who will likely launch … Continue reading Marty: Life Is Short

Greenland

Just to be clear, this is the review of the film Greenland, not a treatise on American foreign relations with Greenland. I remember thinking that January 2026 was either the best or worst time to open Greenland 2, and it turned out to be the latter of the two options. However, I know there’s a deep amount of lore, and I did not want to feel like I was missing out. Gerard Butler films are known for the intricacies in their screenplays, worlds built carefully and slowly over time. So, join me as I step foot into the pandemic success … Continue reading Greenland

Tuner

Opening this Friday before going wider next weekend is Daniel Roher’s Tuner, which made an unexpected but pleasant splash at the 2025 Telluride International Film Festival, before going on to play Toronto, London, Sundance, and Florida Film Festivals. Black Bear, a mensch, is releasing. They get an individual shoutout for actually giving me an accessible screener with audio description. It’s not their first time doing it, and while I beg, scrape, and claw my way through a sea of films unaware that blind film critics are a thing (naturally, because blind people exist, theretofore, we exist in the same spaces … Continue reading Tuner

A Gorilla Story (2026)

Truthfully, nature documentaries are not my most favorite thing in the world. Every year, around Earth Day, the streamers all start circling each other like they’ve entered some kind of Planet Earth Thunderdome. This year, Netflix rolled out A Gorilla Story at nearly the exact same time Disney Plus launched their annual “look how beautiful and terrifying nature is” feature, and much like two alpha silverbacks crashing into each other over territory, only one really walked away with my attention. Sorry Josh Gad. Not everything is better in summer. Slight edge to A Gorilla Story. The documentary follows a clan … Continue reading A Gorilla Story (2026)

Reel Abilities Film Festival 2026: Heavy Healing

I have certainly reviewed films and been the first to do so for Rotten Tomatoes, asking them to create a page for the film. However,in every instance, there’s always been an IMDb page to link to. This is the first time I’ve watched a film with apparently no IMDb page, or one the algorithm can find. So weird. Heavy Healing, which like every other doc at Reel Abilities, landed with audio description. It is largely about how music you wouldn’t naturally find soothing, actually is for so many people. This manages to get a lot of musicians involved from various … Continue reading Reel Abilities Film Festival 2026: Heavy Healing

Going In Blind: The Midway Point

What an appropriate title, even though I’m not entirely sure it fits the film, or tells you anything about this coming of age tale, but it definitely is appropriate for a subset of reasons. One of my readers looped me in a conversation on the lack of nuance anymore about being average, or being (as the kids say) “mid”. If someone asks me “How was it?”, I feel like “It was OK” gets dissected into my tone, body language, inflection, and beaten to death until the person who asked has the binary answer they are looking for, which is “should … Continue reading Going In Blind: The Midway Point

Reel Abilities Film Festival 2026: Dream Touch Believe

I’m finally getting around to Dream Touch Believe, with hesitancy, because while I did like the documentary, it also was my least favorite. I’ve tried marinating on why. Structurally, it is a sound, heartfelt work. A daughter is directing a film following her father’s life. Michael Araagelo, a fine art creator, who hasn’t let blindness or missing limbs lost in Vietnam stop him from creating art. I’m blind, so this should hit me hard, which at times, i related. he talks about early on, how people would try to show him things, and he kept thinking how unnecessary since he … Continue reading Reel Abilities Film Festival 2026: Dream Touch Believe

Dolly

DollI feel like I trudge through Shudder titles every year hoping to land the Late Night With The Devil, Oddity, Birth/Rebirth, or Good Boy, the films that transcend the typical horror slop that seems to traverse to Shudder on a regular basis. I’ve done some films a kindness, and not reviewed them, partially because they didn’t have audio description, and partially because I just don’t have the time to review hundreds of films without audio description.However, Dolly does have audio description, and it is even readily available on the AMC Plus platform. How about them apples? Dolly is like if … Continue reading Dolly

Going In Blind: Linda Perry: Let It Die Here

Admittedly, if I had been accosted prior to screening this with the need for an immediate answer to the question “Who is Linda Perry, and what is she known for?” I would have struggled. I know she’s a musician, unquestionably, but attaching her to a song? A band? I couldn’t have done it. That isn’t a deal breaker for me, as last year I fell in love with Janis Ian through her documentary, and I truthfully didn’t know she existed. I’m not a music critic, it is less weird for me to have gaps in my knowledge of musicians than … Continue reading Going In Blind: Linda Perry: Let It Die Here

Finding Her Edge: Season 1

Finding Her Edge is one of those shows where I completely understand why it exists, why Netflix greenlit it, why it already got renewed for Season 2, and why there’s probably a subsection of viewers curled up on their couch calling this their comfort show. I get it. I really do. This just absolutely was not for me. And that should be normalized. No one likes everything, and as much as I love to be a cheerleader for things I like, I do have to come here from time to time and say, this didn’t do it for me.It might … Continue reading Finding Her Edge: Season 1

Going In Blind: The Wizard Of The Kremlin

It is fair to address up front the fact that I didn’t get audio description with my screener, and as a blind film critic, that’s always preferred. Anyone who just looked at my review for Blue Film would note that it doesn’t prevent me from thinking critically about every single film, and certainly, I feel like it didn’t stop me either here. However, from what I can tell, this film will be in theaters with audio description, which makes it a bit more awkward. That being said, Vertical is unreliable in pushing theatrical audio description all the way through, passing … Continue reading Going In Blind: The Wizard Of The Kremlin

Going In Blind: Life Hack

There’s something inherently fascinating about the screen life genre, even when it doesn’t fully stick the landing. Films like Searching and Unfriended showed how effective the format can be for horror and thrillers, mostly because they weaponize the intimacy of technology. Everything feels immediate when it’s happening through texts, FaceTimes, browser tabs, and frantic typing. They’re also usually low risk films financially, since so much of the production exists on screens instead of elaborate sets, making them ideal playgrounds for experimentation. Last year, Ben McKenzie tried his hand at it with Bloat, which mostly came and went without much attention, … Continue reading Going In Blind: Life Hack

Apex

Apex is an interesting title for this movie, because if we’re talking about the food chain of cinema, this thing is definitely not sitting at the top. It’s more like a dingo running around acting tough. Dangerous enough, sure. But an actual apex predator? Not quite. Still, I didn’t hate this thing. There’s actually a decent survival thriller buried in here somewhere, especially once the movie stops trying so hard to foreshadow itself. That’s really the biggest issue with Apex. The opening scenes with Charlize Theron and Eric Bana practically tell you exactly where the movie is eventually heading once … Continue reading Apex