This one has its heart in the right place. Dana Larson is putting himself on the line in a battle to help those with drug addiction problems, and not in the abstinence market, but in harm reduction. He runs a hotly contested store in Canada, where their rules are slightly different, but as we learn through Searching For Drug Peace, Karen’s are not simply an American problem. The feeling deep inside for someone to get involved in things, indignantly, believing that they have an innate right to maintain morality as they see fit, has bled into Canada, and Dana has … Continue reading Going In Blind: Searching For Drug Peace

I pushed this out, since Daniel Roher co-directed this as well as one of my new obsessions in theaters right now, Tuner. He’s also the director of Navalny, the Oscar winning feature about the Russian opposition leader, who has since tragically passed. And now, we just casually let Russia occupy a chunk of a sovereign nation. But by all means, Chat GBT is going to end us. Not our indifference to totalitarianism, but generative AI. Roher also directed Blink, the documentary about the family of kids who were diagnosed with progressive vision loss, so their parents took them on a … Continue reading The AI Doc Or How I Became An Apocaloptimist

The only truly good thing that came out of Greenland 2: Migration is the fact it prompted me to finally watch the first one, which was surprisingly much better than I expected. So, I went into the sequel with pretty high hopes, only for those hopes to get obliterated almost immediately. Greenland 2 feels like a sequel made by people who didn’t really understand why the first film worked, but assumed audiences wanted “more”, because Hollywood has confused bigger with better for so long you’d think they were in Texas. Everything is bigger in Texas, but not in California, and … Continue reading Greenland 2: Migration

There’s a version of this review where I spend half the time complaining that Tom Clancy’s Jack Ryan: Ghost War isn’t trying to be Mission: Impossible, but honestly, that says more about modern criticism than it does about the film itself. This weekend features two films based on television shows, but the difference is one of them is making a giant leap to the big screen, while the other understands exactly what it is. Ghost War is not trying to reinvent espionage cinema, launch a billion dollar franchise reboot, or convince audiences that John Krasinski should be hanging off airplanes … Continue reading Tom Clancy’s Jack Ryan: Ghost War

Normally, I have to weigh these celebrity centric documentaries, these career retrospectives, as how truthful, honest, open, or journalistic in nature they are.But also, sometimes, it is just OK to like something. Sometimes, the project itself almost erases the extra checkboxes it doesn’t check, because it accomplishes something else. What Lawrence Kasdan (The Big Chill) has achieved here is the understanding that his good friend, Martin Short, is possibly the most well respected and liked person in Hollywood.This film is absolutely a simple, lovely, career retrospective for MArtin Short, and very much content creation for Netflix, who will likely launch … Continue reading Marty: Life Is Short

Just to be clear, this is the review of the film Greenland, not a treatise on American foreign relations with Greenland. I remember thinking that January 2026 was either the best or worst time to open Greenland 2, and it turned out to be the latter of the two options. However, I know there’s a deep amount of lore, and I did not want to feel like I was missing out. Gerard Butler films are known for the intricacies in their screenplays, worlds built carefully and slowly over time. So, join me as I step foot into the pandemic success … Continue reading Greenland