I’ve seen more Tyler Perry projects in my life than I think I ever truly intended to. Granted, when I started all the way back with Diary Of a Mad Black Woman, I heard that he was big in black culture, but I was far more impressed by the performance Kimberly Elise turned in than his focus stealing Madea character that became such a focus of nearly every film after that. I’ve sat through far more Perry projects than most directors I actually enjoy on a regular basis. The last film I remember Tyler Perry giving to Netflix was A … Continue reading Mea Culpa