Back in December, James Cameron released his restoration of The Abyss theatrically, not just updating it to the technical specifics of modern times, but also tweaking it to his own director’s cut, releasing the version he wanted to release. For a director like Cameron, whose resume is actually quite small as he takes a lot of time to develop an idea, The Abyss is like the Moby Dick of his filmography. It has been pretty notoriously hard to find on any home media up until this point, but now that Cameron has a version of it that he approves of, … Continue reading The Abyss