Lonely Planet

Lonely Planet (Netflix)- Laura Dern Is Sucked Into The Netflix Paycheck Algorithm Laura Dern took the paycheck. She’s a great actress, an Oscar winner, so good for her to get one of the Netflix movies of the week reliant upon one or two big names. hell, Nicole Kidman anchored a movie and series for Netflix this year. So, why not Laura Dern? She even gets to have the much younger Liam Hemsworth as her co-star and love interest. However, considering this film still needs a plot, that is where we come up short. Dern plays an author who has come … Continue reading Lonely Planet

Don’t Move

Don’t Move (Netflix)- A Spooky Season Review San Raimi jumped on as producer to help boost the profile of this horror/thriller. I can see why, from the stance that there’s certainly something there, but at the same time, the film does constantly overplay its hand. The plot of the movie revolves around a woman who meets up with a guy who is actually a serial killer, and he kidnaps her, with plans to do what I’m sure he’s done a dozen times before. He has injected her with a paralytic, but before the paralytic takes full effect, our final girl … Continue reading Don’t Move

Woman Of The Hour

Woman Of The Hour- A Spooky Season Review? As someone who can see the FYC campaigns coming my way, it dos make me wonder where Netflix is with Anna Kendrick’s directorial debut. This is something that should be in the mix, and very much has opportunities to be honored at least by various critics groups. Certainly, Anna Kendrick for a first time feature category seems like a strong contender. But, Netflix is leaning hard on Emilia Perez, The Piano Lesson, and Maria.In comparison, I’ve received FYC campaigns for everything from Sonic The Hedgehog 3, Horizon: Chapter One, to the maligned … Continue reading Woman Of The Hour

The Platform 2

The Platform 2 (Netflix)- A Spooky Season Review This quietly slid onto Netflix in time for October, and my initial reaction was “There was a first one?” So, I basically watched these two films back to back. They compliment each other much the same way the first two films in A Quiet Place do. The first movie is clearly the better one, as they introduce the premise, and the second film expands upon that, hoping to show you that there’s even more to be afraid of. The platform as a franchise is just a tower system in some alternate version … Continue reading The Platform 2

Will And Harper

Will and Harper (Netflix)- A Film That Should Feel More Like It Is About Harper First, a big thank you to anyone who checks out my video, with any likes, comments, and subscribes. I definitely enjoyed Will and Harper, which premiered a few weeks ago on Netflix, and centers on this relationship that Will Ferrell has with his friend, a former Saturday Night Live writer, who now lives authentically as a trans woman. Of course, the dynamic between the two feels like two old friends on a road trip, which is what this is. Will has decided that Harper can … Continue reading Will And Harper

It’s What’s Inside

It’s What’s Inside (Netflix)- A Sundance/SXSW Hit With Excellent Audio Description For my own sanity, I have to start including or streamlining the process. Truth is, I could use more subscribers, likes, and views on YouTube, a platform I might one day reach some level of monetization on. So, above is my video review of Its What’s Inside, if you’d like to hear my thoughts. My general thoughts are that the film has an interesting premise, a body swap film that makes a bold choice that forces a tough decision. It feels very light, despite the catalysts in all of … Continue reading It’s What’s Inside

The Deliverance

What lee Daniels did in Precious is truly nothing short of a miracle. In one film, he got one of the most remarkable and memorable performances out of a stand-up comedienne whose prior work suggested she had none of that range. Monique’s work in precious is astounding, for anyone who has had to sit through something like her cinematic masterpiece Phat Girlz. That is the director I’m always looking for,and why I follow him into something like The Butler. To be fair, he got good performances in that as well, but from actors far less surprising. Fast forward to 2024, … Continue reading The Deliverance

His Three Daughters

This is one of Netflix’s lower priority Oscar contenders. You can tell, because the release date for this is shit. Plus, they have the already anointed Emilia Perez, which is considered by basically everyone to be a lock for nominations, as well as Maria (with potential nominee Angelina Jolie), and The Piano lesson (with likely nominee Danielle Detweiler). Their strongest contender here is the biggest reason to see the film, and instead of running all of the daughters in supporting, they ran natasha Lyonne in lead. Dammit. This is just a depressing film from start to finish. It feels like … Continue reading His Three Daughters

Uglies

What a God awful idea for a film. Following in the money grabbing young adult trend that was the era of Hunger Games, Divergent, and The Maze Runner, someone wrote a film about a future where everyone gets to have plastic surgery at 16 to make them perfect. Then, their problems are solved. Everyone under 16 is a child. Oh, sorry, I read that wrong. Everyone under 16 is one of the “Uglies”. You know, a regular person just living their life? Joey King is in this for some reason, despite being 25 years old. It’s almost like mcg made … Continue reading Uglies

Rebel Ridge

There are plenty of movies about outsiders visiting a small town and things not working out as expected.It is a pretty safe genre, as a lot of people assume small towns are somehow inherently shady after being gaslit by this trope for years. So, here comes Rebel Ridge, where Aaron Pierre (the new voice of Mufasa) heads to a small town to bail out his brother, only to find corrupt cops that steal his bail money.Along for the ride are Don Johnson as the sheriff, AnnaSophia Robb still looking for Winn Dixie, and James Cromwell playing someone still alive. The … Continue reading Rebel Ridge

Incoming

And people say comedy is dead. Well, they haven’t seen Netflix’s latest teen comedy about some high school freshmen looking to par-tay. The hyphenated version is absolutely necessary by the way. In this latest high school romp, three pretty average dudes (because, we don’t really do nerds and geeks anymore), find themselves in the middle of a total rager. Not really, but, a 2024 version of a rager. It’s like if Project X had a version that was Pg-13. There’s nothing here you haven’t really seen before. Crude jokes, usual teen behavior, but all representative of this current Gen Alpha … Continue reading Incoming

The Union (An Anti-Review)

The Union is so bland it just feels like so many other mediocre films Netflix has vomited at us this year. Honestly, I think we all need this, because Netflix’s ratio at this point seems far more quantity over quality, and they don’t even really allow for the random missteps even a talented writer/director/actor can make. So, what is putting out more positivity today is to talk about ten great films that are on Netflix that aren’t The Union. 3) the little Prince Now, this was an acquisition. I remember this was supposed to be released by a larger studio … Continue reading The Union (An Anti-Review)

Saving Bikini Bottom: The Sandy Cheeks Story

I think Paramount got confused when the third SpongeBob movie opened in the middle of the pandemic and did really poor at the box office. That is the only reason I can think of to explain how this new SpongeBob film is premiering on Netflix. Yes, it does center around our aquatic squirrel, but she does basically go on the adventure with Mr SquarePants, so, she’s essentially swapping in for Patrick. In preparation for this, I rewatched all thre SpongeBob movies leading up to this, because they all have audio description. When we get to the fourth film, it is … Continue reading Saving Bikini Bottom: The Sandy Cheeks Story

The Rebel Moon: Directors Cuts

Reality check. The existence of Snyder cuts for films no one asked for is everything wrong with cinema today. The fact that fans lobbied for Zack Snyder to go back and finish Justice league, which led to not just additional reshoots, but the actual addition of actors, is the most ridiculous thing. He got to marinate on all the critical feedback, sit there and stare at what joss Whedon gave to the world, and then go back and do some massive near 4 hour version of Justice League that never was going to see the light of day, even in … Continue reading The Rebel Moon: Directors Cuts

Wicked Little Letters

I’m realizing this stream of reviews of non-audio described content is quite depressing. This British dark comedy landed on Netflix where they didn’t think to acquire audio description for a film with Oscar Winner Olivia Coleman and Oscar nominee Jessie Buckley. I’m fairly certain this thing probably has a UK Audio Description Track, since it probably had a decent UK release. It’s just about whether or not you care. It is a period piece with a sizable ensemble. I had a hard time following it. beyond Coleman and Buckley, the only other vocally standout actress to me was Alicia Weir, … Continue reading Wicked Little Letters