The Strangers: Chapter 3

I never thought I’d be reviewing a film like The Strangers: Chapter 3, a film that exists only because a studio apparently had too much money and decided to fund an entire trilogy at the same time. They didn’t do it with the promise of a hot new horror filmmaker behind the camera either. They handed the keys to Renny Harlin. Now, has Harlin directed films I like? Absolutely. But not recently. The last film of his I genuinely enjoyed was Deep Blue Sea, and when you pair that with Cliffhanger and The Long Kiss Goodnight, you’ve got a small but respectable collection of movies worth remembering. Since then, though, Harlin has remained surprisingly prolific despite the legendary disaster that was Cutthroat Island.

Somehow, he convinced someone to bankroll an entire Strangers trilogy that nobody was asking for, and the best thing I can say about Chapter 3 is that it means the trilogy is finally over.I’ve now seen all three films, and every one of them is miserable, stupid, inept, predictable, and completely unnecessary.

Chapter 3 picks up with our final girl after she managed to kill one of the three Strangers at the end of the previous film. Rather than doing anything interesting with that setup, the movie places her into a bizarre storyline where she’s seemingly being groomed to become the next Stranger herself. This unfolds through endless flashbacks and the continuing search for Tamara.At this point, I genuinely hope the next Scary Movie includes a scene where someone answers the door and Tamara is actually there.

The film attempts to expand the mythology by having members of the town acknowledge, at least in passing, the cycle of killings they’ve apparently tolerated for years. Why they continue tolerating it is never really explored. It also introduces our heroine’s sister, her husband, and a Black guy. That sounds terrible when written out like that, but it’s honestly the best description the movie gives us. He simply appears. Even the audio description struggles to identify who he is when he first shows up because the film never bothers to establish him. Is he a friend? A driver? A tracker? A cop? Nobody knows. The character is so wildly underdeveloped that it feels as though someone reached the third film and suddenly asked what happened to all the people of color, so they hastily inserted a character who survives for about five minutes and gets three or four lines of dialogue.Ironically, during those brief moments, he displays more personality and presence than most of the cast. Given anything meaningful to do, he probably would’ve become one of the more interesting characters in the entire trilogy.

I dislike these movies so much that if I combined my scores for all three films, they might barely scrape their way into Fresh territory. The latter two entries occasionally benefit from the fact that Harlin is forced to come up with new material. The boar sequence in Chapter 2 at least qualifies as an idea. Unfortunately, ideas are in short supply throughout this trilogy. The films are dreary, repetitive, and painfully uninspired. I cannot imagine many people revisiting them in the future, including the people who made them and their families.

This isn’t the worst film of 2026, but it’s dangerously close. I feel like that has been true of every film, benefitting only from a true cinematic atrocity (or two) to keep it from the bottom.

Oddly enough, the best thing about the movie is once again the audio description. The track, written by Deluxe and narrated by William Michael Redman, is excellent. Redman consistently brings an ominous presence to horror films, and the script itself is well crafted. Across all three movies, the audio description has been the most impressive piece of filmmaking on display

With every studio digging through its catalog for legacy sequels, Harlin really needed the Cliffhanger reboot. He didn’t get it.

Your parents told you not to talk to strangers. Now film critics are trying to tell you not to watch a trilogy about them either. The stranger danger here is a complete waste of your time.

Rotten: 2.8/10

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