Undertone
We need to have a conversation about elevated horror and what that term even means anymore. Especially now, at a point where horror isn’t just getting critical acclaim, it’s actually becoming part of the Academy Awards conversation. Last year alone we saw horror films earning major nominations, Amy Madigan winning an Oscar for a horror performance, Jacob Elordi landing a nomination for playing Frankenstein’s monster, and even Coralie Fargeat’s The Substance, an unapologetically grotesque body horror film, breaking through for Best Picture. This year, there’s already a serious conversation around Obsession and Backrooms, with Obsession looking like a legitimate Best … Continue reading Undertone